SPITFIRE GAUTAM

Picture of Spitfire Gautam or Gautam Lahiri

Part 4 – Konark temple, an ancient design of passion on rock

I was never interested in history when I was in school; however, as I got older, I started picking up a liking for the subject. Probably, I will attribute my initial dislike to history to the teacher the way he taught it.

History wasn’t bad …

Boring teacher makes a student run away
Almost fell asleep when pushing through history

We used to bend upon the sheaf of papers, with disinterest, pan faced, held those handwritten notes, and if at any point we missed; he grimaced his face, and screamed that we all will get a big zero in the written test. We were scared of it and continued.

Love of history

The most interesting part of the visits, is when I look at the monuments, the forts and the architecture; complete astonishment smoothers me. I marvel on their designs and the way they were built with such accuracy without computers, engineering tools available today; probably took days to create these masterpieces. 

The intricate carvings on the rock still resist the nature's destructive forces at Puri, Odisha, India by Gautam Lahiri
The intricate carvings on the rock still resist the nature’s destructive forces

One such structure is the Konark temple in Odisha or Orissa 

state in India, very near to the sea beach. We were making a 3-day trip hopping across PuriBhubaneswar, the capital of Orissa.

Route map from Kolkata to Konark temple, Orissa India
We drove 500 kms South West of Kolkata to visit the Konark temple

The primary aim was to dive into the sea to get thoroughly soaked in the crashing sea waves and also to see a few edifices that are present. 

With this intent in mind, we turned our Swift towards Konark and proceeded along the Puri-Konark Marine drive to cover the 35 kilometers. Just like any temple town in India, Konark is configured similarly with loads of handicraft shops, stalls selling stone items catering to the visitors who want to take a section of Konark as a memento. 

Konark temple

We parked the car and walked almost half a kilometer and entered the temple complex.

South east corner gives a good view of the main temple where the rocky horse is seen pulling the chariot at Puri, Odisha, India by Gautam Lahiri
South east corner gives a good view of the main
temple where the rocky horse is seen pulling the chariot

Konark is different. No deity is present, so no worshiping is done. Our objective was to see the brilliant Kalingan architecture, and the meticulous rock-cut impressions of human figures.

The architecture still standing tall against the elements of nature. Of course, on closer inspection, we did see the sandy air from the sea had obliterated and eroded the figures.

Not sure, if the future generation can see what we saw.

Figures of dancing women chiseled out of rocks  at Puri, Odisha, India by Gautam Lahiri
Figures of dancing women chiseled out of rocks

To see this exquisite and vivid sculpture carved out of a type of metamorphic 

rock called, Khondalite, we started our walk to the Konark temple complex. The weather was hot and even in the late afternoon, the sun’s rage did not lessen and we were sweating like a steam engine. Water bottles, being our constant companion, pushed us to our rocky journey.

Konark’s history

To get the exact history, we hired a local guide, who explained to us a few of the temple features. 

Dancers in various forms, playing instruments in different mudras  at Puri, Odisha, India by Gautam Lahiri
Dancers in various forms, playing instruments in different mudras

What he told us amazed us beyond words. Not sure what he said is true or not.

This temple dated back to near about 1250 AD, built by king Narasimhadeva I of Eastern Ganga Dynasty.

The temple was a product of brilliant ancient engineering. The guide indicated sculptures of women who were seen wearing long skirts what we see today.

Human rock figurines

The lady was holding a vanity bag with cosmetics of olden days, made purely from natural substances.

You can see the lady on the right wearing high heeled shoes ages ago, which I thought was contemporary  at Puri, Odisha, India by Gautam Lahiri
You can see the lady on the right wearing high
heeled shoes ages ago, which I thought was contemporary

We saw a few figures of women holding a mirror to see herself, another one combing her hair while wearing high heeled shoes.

Imagine in those days, the fashion seen today was very much prevalent.

The lady on the left is looking herself in the mirror while applying vermilion on her head, which meant the know-how to make mirrors was predominant in those days  at Puri, Odisha, India by Gautam Lahiri
The lady on the left is looking herself in the mirror while applying vermilion on her head, which meant the know-how to make mirrors was predominant in those days 

The Konark temple is like a chariot and if you see it from its eastern entrance, you will come across two big lions straddling an elephant beneath which are known as ‘Simha Gaja’.

Simha gaja, at the entrance of the temple where the lion is crushing the elephant underneath  at Puri, Odisha, India by Gautam Lahiri
Simha gaja, at the entrance of the temple where
the lion is crushing the elephant underneath

Temple layout

A flight of stairs lead up to a wide opening where dance festivals are held even today.

The courtyard opened inwards into the temple entrance.

One of the seven horses which is believed to be pulling the Konark temple chariot  at Puri, Odisha, India by Gautam Lahiri
One of the seven horses which is believed to
be pulling the Konark temple chariot

We took a full 360 degrees tour around the temple and saw 24 wheels or sundials made of rock ingrained on the periphery of the main structure.

There were 7 horses that seemed to pull this chariot temple. 

One of the twenty four wheels that adorn the temple base, the interval between each spoke is three hours and each beaded rod is ninety minutes apart and by placing the index finger on the wheel hub, and looking at the falling shadow, the bead which gets the shadow tells the time of the day  at Puri, Odisha, India by Gautam Lahiri
One of the twenty four wheels that adorned the temple base

Chariot design

Each wheel is an hour of a day and each horse is a day of the week.

One of the twenty four wheels seen here, ornaments the temple base, the interval between each spoke is three hours and each beaded rod is ninety minutes apart and by placing the index finger on the wheel hub, and looking at the falling shadow, the bead which gets the shadow tells the time of the day.

Konark magnet

The brilliant rock carvings continue on with great detail on every single square inch of this great structure  at Puri, Odisha, India by Gautam Lahiri
The brilliant rock carvings continue on with
great detail on every single square inch of this great structure

Now comes the most interesting facts of this structure.

The guide pointed to all the joints and continued his oratory. We saw those cracks or the holding sections of rock over which motifs are made are held with a metal clip.

All these joints along with these clips were kept in place by a very powerful magnet that was kept on the temple top. The magnet held the temple in shape for decades. 

The big chariot wheel has smaller circles having carving of a lady, like here - getting up from bed, so the position of this circle is around the early morning of a typical day and the time can be calculated sometime in the morning  at Puri, Odisha, India by Gautam Lahiri
The big chariot wheel has smaller circles having carving of a lady, like here – getting up from bed, so the position of this circle is around the early morning of a typical day and the time can be calculated sometime in the morning

The sun dial that we saw has 8 circular curved pieces and each has a sculpted activity of a day to day daily life depicted.

The top most point is midnight and when we saw it anticlockwise, various figures are created which showed the time of a day. A woman in a night time sexual act, meant it is deep in the night, a lady with her outstretched hand on top, meant she just got up, a few more poses strewn round.

A lady is being attended to by her maids to dress for some social function, which is in the late morning when the sun is up and the day activity is in full gear, again indicating the time of the day when these functions used to take place  at Puri, Odisha, India by Gautam Lahiri
A lady is being attended to by her maids to dress for some social function, which is in the late morning when the sun is up and the day activity is in full gear, indicating the time of the day when these functions used to take place

Let me try to explain what I remembered and learned …

 battle. Definitely this is in a position on the time scale sometime during the day  at Puri, Odisha, India by Gautam Lahiri
A warrior getting ready for the battle. Definitely this is in a position on the time scale sometime during the day

There were beads curved on the wheel, placed at intervals.

What the guide showed us is – he put his finger at the center wheel, and asked us to examine where the shadow of the index finger fell. The exact time can be calculated.

This way the accuracy of time used to be measured by the position of the sun and where or on which bead the shadow of the finger fell.  

Even today, the sundials created 760 years ago or more still show the time with modern digital accuracy. It would be wiser if you go prepared by explaining to your audience what these temple carvings are based on.

An abundance of figures displaying eroticism is seen on every nook and cranny of the temple ‘s outer surface.

Human lifecycle explained

A celebration scene when the emperor returns after winning a war and even a palanquin is seen carrying a lady  at Puri, Odisha, India by Gautam Lahiri
A celebration scene when the emperor returns
after winning a war and even a palanquin is seen carrying a lady 

When it was 4.30 pm, and sun was pretty much aligned in the west to dip down, we saw the sculpted form of the sun god, the secondary statute getting full illumination from the sun rays and glowing.

The temple is built on an east-west axis and both the entrance and the exit points glowed with warm and soft sun rays, once in the morning and once again in the late afternoon.

Late afternoon sun dazzling the face of the Surya god made of chlorite rock  at Puri, Odisha, India by Gautam Lahiri
Late afternoon sun dazzling the face of the
Surya god made of chlorite rock

There exist another old concept, which the guide told us. The temple is divided virtually across three-time phases.

When the sun rays fall in the morning, the first rays fall on the primary statue of the sun god and that area which gets illumination means the young age of a person, young and agile, when the sun climbs far above, the area of the temple it lights up is the youth of a person, the middle life and when in the afternoon, the sun goes to the west and the rays dim down, that indicates the old age of a person.

A temple guide describing the Konark Sun temple history and architecture

Konark’s British revival

We also learned that after the main deity was removed, the temple was filled with stones.

 I saw this inscribed as I climbed the main temple courtyard which says that in 1903 on the orders of Sir James Austin Bourdillon, the Lieutenant Governor of Bengal, the temple was filled with stones  at Puri, Odisha, India by Gautam Lahiri
 I saw this inscribed as I climbed the main temple courtyard which says that in 1903 on the orders of Sir James Austin Bourdillon, the Lieutenant Governor of Bengal, the temple was filled with stones

I recommend everyone to visit this monument to see the architecture, and of course keep at least 4 hours for its exploration. 

The precision with which the rock carvings are done by hand parallel the level of quality probably you may see if done by laser technology.

We bid goodbye to Konark as the setting sun paints the sky with vibrant colors over the descending darkness  at Puri, Odisha, India by Gautam Lahiri
We bade goodbye to Konark as the setting sun painted
the sky with vibrant colors over the descending darkness

After we had our eyes filled with the images of this paramount level of human creation, we get behind the wheel and gun the engine to return to Puri

Konark temple silhouettes against the evening sky as the sun flashes its rays to the Surya god adorning the temple on its western fringe and vanishes into the horizon  at Puri, Odisha, India by Gautam Lahiri
Konark temple silhouette

Hope you enjoyed the ageless creation of ancient people where we saw the fusion of both technology and creativity.

The evening blue sky smeared with sun rays, bidding adieu to the Surya god of the temple on its western fringe.

Inference

Travel Basics

One response to “Part 4 – Konark temple, an ancient design of passion on rock”

  1. TravelHelp Avatar

    Thanks a lot sharing about “Konark Sun temple Ancient Design”.Nice Blog. Keep sharing.Visit http://Travelhelp.co for Your Best cab Service for “konark Sun temple from Puri”.Give us a Ring – 9778515250

    Like

Leave a reply to TravelHelp Cancel reply